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I gotta say I am shocked that Born of Obsidian is Sheffield stalwarts Kurokuma’s first full-length release. It feels like they have been in the front ranks of the UK underground for aeons. Their 2016 E.P. Advorsus was a slab… Continue Reading →
It’s a familiar trope of lazy, hackneyed critiquing to take the geographical origins of any band you’re lucky enough to review and wrap your 500 words around tired cultural clichés and pass that off as inspired and insightful reviewing. That… Continue Reading →