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Author Andy Pountney

I was brought up in the West Midlands during the back end of the thrash scene, and then relocated to Yorkshire, becoming immersed in the bludgeoning death metal scene. As death metal waned, I found my true musical calling in the form of black metal, and it is here that my musical passion remains to this day. Having said that, I’m open minded and will give a fair listen to any style of alternative music, especially live, enjoying all forms of extreme music and can regularly be found lurking with a camera in one hand and pint in the other at metal gigs……

Inferno Metal Festival – Oslo, Norway 31/3/24

Easter Sunday had that all too familiar bittersweet “last day’ feeling, with a whole day of music to look forward to, but also the knowledge that “tomorrow” meant back to work and reality. Trying to shut that out of my… Continue Reading →

Inferno Metal Festival – Oslo, Norway 30/3/24

Easter Saturday presented a difficult choice with some great bands playing matinee shows including Madder Mortem, Imbalance and Horrifier but there was also the black metal auction. Keeping with my own tradition, I ordered a white beer and pulled up… Continue Reading →

Inferno Metal Festival – Oslo, Norway 29/3/24

Musically, my Good Friday began with a trip to Rock In to catch Telemark’s Visegard for their matinee show and their traditional Norwegian Black Metal. The venue was packed and it was very sweaty in front of the stage by… Continue Reading →

Inferno Metal Festival – Oslo, Norway 28/3/24

The Easter break means many different things to people around the world, but for a select section of the extreme metal community, it has become synonymous with the Inferno Metal Festival and 2024 was no exception. In fact, this was… Continue Reading →

Sylvaine – Eg Er Framand (Season of Mist)

Sylvaine and Ave Noctum are already well acquainted, with several glowing reviews of Sylvaine’s studio work and live shows having appeared on our site over the past few years. Of course, those that are familiar with Sylvaine will be used… Continue Reading →

Vltimas – Epic (Season of Mist)

Has it really been five years since Vltimas released ‘Something Wicked Marches in’? The debut really struck a chord with me and is one that I return to pretty regularly. It’s fair to say I wasn’t in isolation and the… Continue Reading →

Devastator – Conjurers of Cruelty (Listenable Records)

Devastator have been slaving away in the UK extreme metal underground since their inception in 2017 and are finally reaping the rewards for their consistent hard work with an ever increasing fanbase and reputation. Where Devastator are perhaps at their… Continue Reading →

Malist – Of Scorched Earth (Avantgarde Music)

A ‘Malist’ is someone who subscribes to the theory of Malism and therefore believes the doctrine that the world is evil. I’m surprised it hasn’t been adopted by more black metal bands to be honest, but here we are with… Continue Reading →

Belphegor, God Dethroned, Atrocity and Monastery – Sheffield Corporation 12/12/23

While the surrounding Sheffield bars were full of Christmas parties, a select few headed to the Corporation for a celebration of blackened death metal and while the crowd remained modest, those that made the journey were treated to four bands… Continue Reading →

SLOW – Abîmes I (code666)

Never before has a band been more aptly named, as Slow deliver some of the most dense, crushing funeral doom I have ever heard. However, instead of being a reference to the pace of the music, Slow is actually an… Continue Reading →

Impalement – The Dawn Of Blackened Death (S/R)

Although Impalement’s debut ‘The Impalement’ wasn’t spawned until 2020, the origins of the band date back much further to 2010 when Beliath first began composing music. In the following ten years he toured relentlessly with other bands developing his expertise… Continue Reading →

Watain – Die In Fire – Live In Hell (Agony And Ecstasy Over Stockholm) (Nuclear Blast

Live albums always divide opinion with the naysayers questioning the need for a rehash of songs already available on studio albums whereas proponents cite a live album as a record of a band’s zeitgeist, a testament to where a band… Continue Reading →

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