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Tag Gorefest

Terrorstahl – Distanz (Boersma Records)

This is a German band singing in their native tongue, labelled as black thrash, but to my ears its more melodic death metal. The production is powerful and vibrant, I’d give a comparable to the late 90’s and the Gothenburg… Continue Reading →

Shadowspawn – The Biology Of Disbelief (Emanzipation Productions)

A second album from this Danish outfit follows their excellent debut ‘Hope Lies Dormant’ released in 2017. It appears that there has been some rearranging in personnel since this album and a new skin beater (Danni Jelsgaard) has been added… Continue Reading →

Wrathrone – Eve Of Infliction (Great Dane Records)

This Finnish act has a decent back catalogue with two albums, an EP and a couple of singles as they release their superb third full length which I am certain will gain much attention such is its quality. At just… Continue Reading →

Heads for the Dead – Into The Red (Transcending Obscurity)

There are a few record labels that really guarantee a good release on them, and Transcending Obscurity is one of those. Heads for the Dead are another death metal project featuring the near ubiquitous Jonny Pettersson (Wombath, Henry Kane et.al.),… Continue Reading →

Sentient Horror – Ungodly Forms (Testimony Records)

What do you want from old school Swedish death metal? Well I for one want a tasty blend of brutality & catchiness. I want howling vocals, meaty riffs, fuzzy guitars and pounding drums with a hint of D-beat. Vomitory, Entrails,… Continue Reading →

Interview – Hail Of Bullets

Having set their sights on Russia, Japan and North Africa most recently, it was now time for Ave Noctum to fall in the firing line of Hail Of Bullets’ immense armoury. Rather than the blood, shit and severed limbs which… Continue Reading →

Intractable – Inner Decay (SR)

The debut offering from the Swiss quartet out of Sursee is an impressive death/thrash album with plenty of groove and tempo changes to keep things dynamic and interesting. A nice solid groove opens “Captured” which steadily progresses over Benjamin Kottmann’s… Continue Reading →

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