Now here’s a thing: a post-rock, ambient doom work which is experimental. Its creators Fere are from Portugal and this is their second album release. The opener “Atlas” doesn’t tear up trees but I’d suggest is all the better for… Continue Reading →
Every time I review or give radio airplay to a project by Shane Embury I make some cliched comment about him being the busiest and most prolific artist in heavy music. The problem with cliches is that they care created by truths a lot of… Continue Reading →
Described as a cosmic free jazz orchestra, Zaäar are clearly not short of ideas as they embark upon this 90-minute journey. With the sounds of a saxophone, trumpet, synths, flutes, drums and electric bass, this always had the makings of… Continue Reading →
My first reaction on receiving this was to check out if there is a volume 1 to 3. I am pleased to tell you that there is, the artists involved in these collections of splits from Sombre Soniks being Embers… Continue Reading →
It is time to step into our musical Tardis and arrive pitched up in Russia in the 17th Century when the Orthodox Church saw a divide between the traditionalists resisting changes and progress believing them to be the work of… Continue Reading →
You can always rely on I, Voidhanger to unleash some of the darkest, terrifying musical assaults that you will ever bear witness to, as Dutch blackened death metallers Defacement release their sophomore. Songs on their debut were relatively short compared… Continue Reading →
I really enjoyed last album ‘Herbslicht’ by Italian maestro Regen Graves. If his name is familiar to you this is probably due to recordings in the stratosphere of doom with the likes of Tony Tears and Abysmal Grief. When working… Continue Reading →
It only seems five minutes ago that I was reviewing Unreqvited’s last album ‘Mosaic II: la déteste et la détresse’ and the wonderful split with Sylvaine that was released at the same time, but here we are with another top-notch… Continue Reading →
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