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Author Lykle Thijssen

My love for heavy music started back in the '80s, when I started listening to bands like Europe and Bon Jovi as a kid. After a short flirt with grunge and punk rock, it was eventually The Gathering that brought me into metal. Soon enough, bands like Paradise Lost, Moonspell, Anathema and Dimmu Borgir followed, firmly setting me on the path to dark and atmospheric music. Ever since, my taste in music has expanded to all kinds of metal, goth and post-rock. Having visited too many concerts and festivals to count, my career and family life are forcing me to take things a bit easier these days, but hardly a day goes by without listening to something heavy. Current favourites include Amorphis, Cult of Luna, Deafheaven, Russian Circles and Solstafir, yet this list is constantly evolving and I'm always interested in discovering new musical talent.

Chrch – Light Will Consume Us All (Neurot Recordings)

Psychedelic doom metal on Neurot, what could possibly go wrong? After a debut album and a split with Fister, Chrch was signed by the famous label and now unleashes “Light Will Consume Us All” upon the world. With only three… Continue Reading →

Raven Throne – I Miortvym Snicca Zolak (Non Serviam)

Belarus. Probably best known for its political system, this country has so much more to offer. Great cities, a beautiful countryside, massive potato consumption, amazing sausages and a rich cultural tradition, mainly in classical music, opera and ballet. When it… Continue Reading →

Fedrespor – Tid (Nordvis)

Originally started as a metal side project for the members of the Norwegian black metal band Sekt, Fedrespor ended up as a solo effort of founder Varg Torden Saastad,  having to do as much with metal as a dark night… Continue Reading →

Antlers – Beneath.Below.Behold (Totenmusik/Ván Records)

When Deafheaven released its masterpiece “Sunbather” in 2013, it created a rift in the black metal scene. On one side, there were those who dismissed this new wave as not being black metal at all, while on the other side… Continue Reading →

Spiritual Front – Amour Braque (Prophecy Productions)

Undoubtedly, Spiritual Front is one of the most interesting bands coming forth from the neofolk scene. Originally starting as a solo project, the band around Simone Salvatori has broadened its horizon over the years, expanding its sound with elements of… Continue Reading →

Dark Buddha Rising – II (Neurot)

Roadburn 2012. I made my plan for each festival day to catch my favourite bands, yet such plans always go to hell as soon as the day starts. Somehow, I managed to end up at a show of Dark Buddha… Continue Reading →

Ulvesang – The Hunt (Nordvis)

First expecting a Danish band, I was quite surprised that Ulvesang (Danish for Wolves Song) are apparently from Canada. After a self-titled debut album in 2015, the band has moved on to Nordvis for its successor, called “The Hunt”. Alex… Continue Reading →

Deathwhite – For A Black Tomorrow (Season Of Mist)

Last year, French record label Season Of Mist managed to impress me with some fantastic releases, including the outstanding “Radiation” album by Impure Wilhelmina, which ended up on top of my “best of 2017” list. This year, it’s starting well… Continue Reading →

Apostle Of Solitude – From Gold To Ash (Cruz del Sur)

When a band is called Apostle Of Solitude, only one conclusion can be drawn: this must be doom metal. “From Gold To Ash” is the fourth full-length album of the American band and essentially an archetype of traditional doom. From… Continue Reading →

Arkheth – 12 Winter Moons Comes The Witches Brew (Transcending Obscurity)

Arkheth is not the most productive band in the world. Having released its debut album in 2003 and a successor in 2010, they took another eight years to come up with “12 Winter Moons Comes The Witches Brew”. The new… Continue Reading →

The Atlas Moth – Coma Noir (Prosthetic Records)

The Atlas Moth. I had heard of the band before, but somehow, I’ve managed to fully ignore their music so far, even though the band is making the type of music that usually sparks my interest. Hailing from Chicago in… Continue Reading →

Faal – Desolate Grief (Ván Records)

When an album is called “Desolate Grief”, it’s not very hard to guess what the music will sound like. Dutch doomsters Faal have put a fitting name on their latest album, which sounds bleak and devoid of hope, while radiating… Continue Reading →

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