Your No. 1 Source For Extreme And Atmospheric Music And Film.

Author Doogz

Though the late 80’s saw me vaguely interested in Iron Maiden, Def Leppard, Alice Cooper and Guns N Roses, it was Ice-Ts “Original Gangsta” shortly before my 13th birthday that REALLY helped rock and metal capture my imagination thanks to the Bodycount demo on said album. A logical leap to RATM eventually led to a wealth of aural delights via Metallica, Sepultura, Carcass, then Cradle Of Filth. My obsession with discovering more extreme sounds has led me to semi-competently poke at bass guitar in a couple of bands, and occasionally dabble in the dark art of music journalism. Over 30 years later I’m still “chasing the dragon” for the next band that’ll make my hair stand on end.

Svalbard – The Weight Of The Mask (Nuclear Blast)

Svalbard hark from the west-country of England, having formed in 2011. A spate of demos and split releases from 2012 to 2014 led to two albums in 2015 and 2018, each release representing a progression of both the band’s sound… Continue Reading →

Mayhem – Daemonic Rites (Century Media)

The question on everyone’s lips… does the world really need another Mayhem live album? Well.. perhaps. The glut of nostalgic Mayhem live releases in recent years have almost exclusively documented recordings from 1990, the notable (yet equally nostalgic) exception being… Continue Reading →

Blut Aus Nord – Disharmonium: Nahab (Debemur Morti)

Blut Aus Nord are a progressive black metal troupe from the Normandy region of France. It began life in 1993 as a solo project of mainstay Vindsval, it has evolved over the decades to incorporate industrial and avantgarde elements. This… Continue Reading →

Fen – Monuments to Absence (Prophecy Productions)

“Atmospheric”, “reflective”, “epic”… some of the superlatives that have been used to describe the music of Fen over the years. “Savage”, on the other hand… not so much. Until now. Fen established a foothold in the London live scene 2006… Continue Reading →

Liturgy – 93696 (Thrill Jockey)

For the layman, Liturgy have been around since 2009, having released four previous albums of their own brand of “transcendental black metal”. Critique of the band varies from “aggressive and radical” (Pitchfork) to “chin-stroking dilettantes” (The Guardian). The press release… Continue Reading →

Enslaved – Heimdal (Nuclear Blast)

May 1993. Two young upstart Norwegian black metal bands share the limelight on a split release from Candlelight Records. Both subsequently follow very different musical ideologies and career paths, but grow to be equally influential and universally revered. Jumping forward… Continue Reading →

Drudkh – All Belong To The Night (Season Of Mist)

Drudkh’s eleventh album is released against the backdrop of their homeland fighting for independence from the renewed imperialistic urges of Mother Russia, a situation which the Western world clearly empathises with. Regardless, as with my Necrom earlier in the year… Continue Reading →

Devin Townsend – Lightwork (Inside Out Music)

Our esteemed Devy has been rather self-indulgent of late. Whilst last years “The Puzzle/Snuggles” duo explored cinematic noise-scapes, 2019s “Empath” was a crazy progressive pinball through everything in his repertoire including the kitchen sink. Sandwiched between these musical oddities during… Continue Reading →

Decapitated – Cancer Culture (Nuclear Blast)

The years since their last album (2017s “Anticult”) haven’t been kind to Decapitated. False rape charges were brought against the band members whilst touring the USA in late 2017, COVID-19 interrupted their European tour with Beyond Creation in March 2020,… Continue Reading →

Blut Aus Nord – Disharmonium: Undreamable Abysses (Debemur Morti)

As the anniversary of their third decade of existence draws closer, this French pioneering outfit show little signing of slowing down. Indeed, it’s astonishing to realise that it’s also been almost twenty years since the release of the influential and… Continue Reading →

Aparthiva Raktadhara – Adyapeeth Maranasamhita (Iron Bonehead)

After turning heads with a well-received demo in 2018, Aparthiva Raktadhara have finally returned with a slightly longer offering. Their debut full length consists of six songs coming in at little under 35 minutes, however, this three-piece outfit from India… Continue Reading →

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