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Author Angela Brown

If you've hazy memory of a short skinny girl with a mane of dreadlocks either scowling at you or spilling a pint on you at a gig, that was probably me, and I can only apologise. My preferred genres of music are doom and black metal; I frequent the London gig circuits for both. I have 10 years of writing experience under my belt and I am currently a content editor for Ghost Cult Magazine, as well as a scribe for both Terrorizer and Soundshock. My dreams and aspirations involve becoming editor of either my own publication or a pre-existing one (power is power, after all) and to bring the underground music scene the recognition and praise that it so rightfully deserves. I collect cats, patches and band shirts. Mine's an ale, if you're buying.

Pallbearer – Forgotten Days (Nuclear Blast)

Considering the resounding success of 2017’s ‘Heartless’ and its soaring explorations of more progressive territory, upon first listen, ‘Forgotten Days’ seems like a huge step backwards and doesn’t quite make the impact you’d expect it to. 2020 has been far… Continue Reading →

Anna von Hausswolff – All Thoughts Fly (Southern Lord)

While the pipe organ has long been Anna von Hausswolff’s choice of weapon, she is best known for her warbling, dulcet toned singing voice – a prominent feature on all of her albums, alongside a full band featuring piano and… Continue Reading →

Svalbard – When I Die, Will I Get Better? (Church Road)

It’s difficult to imagine that Svalbard would be able to better a release as emotionally raw as 2018’s ‘It’s Hard to Have Hope’, however, the Bristolian hardcore punk band have had two years to sharpen up on both their song… Continue Reading →

Interview – Svalbard

Thanks to COVID-19, bands are currently plagued by the uncertainty of when they’ll eventually be able to tour again. Still being able to write and release music to fans feels like a blessing, however, for Bristolian hardcore punk four-piece, Svalbard,… Continue Reading →

Uniform – Shame (Sacred Bones)

There is something formidable about a band that’s able to reinvent one of its core attributes and still be completely recognisable. For New York’s industrial punks, Uniform, this reinvention manifests itself in their percussion; previous albums have relied on a… Continue Reading →

Primitive Man – Immersion (Relapse)

Despite having existed as a band for only 8 years and releasing just three full length albums, Primitive Man are a trio that need no introductions. This could be attributed to the whopping eight split releases they have put out… Continue Reading →

Steve Von Till – No Wilderness Deep Enough (Neurot)

Steve Von Till’s musical legacy spans more than three decades, from the notoriety of Neurosis to his involvement with Harvestman and Tribes of Neurot, as well as his solo work, he is a household name for metal fanatics worldwide. ‘No… Continue Reading →

Inter Arma – Garbers Days Revisited (Relapse)

2020, the year of both pandemic and the metal cover album. Seven months in and we’ve already seen grunge cover albums from both Thou and MANTAR, now comes something a little more unconventional from Virginia’s most devastatingly heavy amalgamation of… Continue Reading →

MANTAR – Grungetown Hooligans II (Brutal Panda)

With every gig, tour, festival and major release postponed/cancelled for 2020, musicians the world over are suddenly finding themselves with a lot of spare time on their hands – so what better time to give something a little different a… Continue Reading →

Vile Creature – Glory, Glory! Apathy Took Helm! (Prosthetic)

Most people’s first encounter with Canada’s Vile Creature was 2018 release ‘Cast of Static and Smoke’, a tale of apocalyptic robots trying to escape the end of the world. The unhurried tempo and gritty musical textures combined with the heart… Continue Reading →

Okkultokrati – La Ilden Lyse (Southern Lord)

Norway’s Okkultokrati have been combining black metal, post punk and kraut rock together for over a decade, however, it’s arguably 2016’s ‘Raspberry Dawn’ that really thrust this unique mash up of genres into the spotlight (coincidentally this was also their… Continue Reading →

Golden Ashes – In the Lugubrious Silence of Eternal Night (Oaken Palace Records)

Dutch black metal project, Golden Ashes, was founded in 2018 by Maurice De Jong (also known as Mories of Gnaw Their Tongues) and has since released two EPs and two albums, which is an incredibly busy output for just two… Continue Reading →

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